Onstage

Five women in iflmy nuetral costumes and pointe shoes create a circular formation, with three of them crouching toward a center point, and two on either side, slightly higher. All the dancers reach toward the center.

Onstage

Renversons, a New NYC-Based Company, Aims to Be a Game Changer for Freelance Dancers

Amy Brandt

In a ballet studio, David Soares lunges to the side while reaching forward earnestly, holding Iana Salenko with one arm as she drapes across his back with her stomach to the sky.

Onstage

Nureyev Resurfaces at Staatsballett Berlin

Joseph Carman

In a bright ballet studio, two dancers rehearse a sensual pas de deux. The dancer in front stands with one leg on pointe, the other in cou de pied devant, while leaning sideways into her partner's arm. She lets her head drop to the side, eyes closed and lips parted. Her partner stands behind her, wrapping one arm around her waist, with the other reaching across to grab hold of her neck.

Onstage

Ballet Austin’s Marie Antoinette: Vampire Queen of Versailles Blends History With the Supernatural

Kyra Laubacher

In a large ballet studio, two female dancers rehearse a pas de deux in costume. One wears dark green pants and a black shirt with a green ruffled collar. The other wears a blue dress with puffy sleeves and a slit down the side. Behind them are three large bookcase sets and some stools.

Onstage

In Gentleman Jack, Anabelle Lopez Ochoa Brings 19th-Century Queer Icon Anne Lister to Life

Emily May

In a large ballet studio with four tall windows on the back wall, the company dancers of Ballet Black pose together around a ballet barre for a group photo.

Onstage

Ballet Black Celebrates Its 25th Anniversary

Catie Robinson

Calvin Royal III jumps up in croise with his legs split in an attitude position, his right leg in front. He curves his left arm and opens his right arm out to the side. He wearsa a purple and gold tunic, tna tights, and brown ballet boots, and dances in front of a gray studio backdrop.

Onstage

Calvin Royal III Prepares for Two Contrasting Roles: Othello and Prince Ivan

Amy Brandt

A black and white photo of Natalia Osipova, who dances with abandon onstage. She leans forward with one leg lifted in a low arabesque, her supporting leg slightly bent, as she arches and lifts her arms up and back. Her eyes closed, she opens her mouth with emotion. She wears a Romantic tutu with wispy arm puffs; the skirt of the tutu flies out behind her.

Onstage

Natalia Osipova Brings Her Force of Nature Program to California’s Central Coast

Melissa Garlock

In a large ballet studio, a group of dancers pose in a tableau. Six pairs of partners stand in supported arabesques in two mirrored diagonals, three dancers stand in tendu behind them, and two partners pose in shoulder sits in between. In front, a last pair does a fish pose. The women wear long white skirts.

Onstage

Kevin Thomas’ The Cotillion, for Collage Dance, Honors a Black Coming-of-Age Tradition

Hana Le

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