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Take Me Home, Country Roads: DanceAspen’s CRESCENDO Celebrates Community and Music

Kyra Laubacher

A large group of ballet students wearing white t-shirts and black tights and slippers pose for a photo. They pose close together in four staggered lines, with the first line kneeling on their left knee and the others standing behind them.

As Boys Ballet Summer Intensive Celebrates 10 Years, Co-Founder Patrick Frenette Wants Young Men to Know They Belong

Lucy Spencer Mason

Four female dancers in white leotards, white tights, and white slippers do an arabesque facing stage left in a staggered line. They bend their supporting knee, pressing over their standing foot, and hodl their arms up in a V shape, fists clenched.

San Francisco Ballet Returns to Jacob’s Pillow After 70 Years

Lucy Spencer Mason

Misty Copeland stands with her arms crossed confidently and gives a sly smile as she poses for a portrait in front of a dark gray backdrop.

Curating for The Joyce Theater, Misty Copeland Envisions Ballet’s Future

Kyra Laubacher

Igone de Jongh, Diana Vishneva, and Mara Galeazzi stand in a diagonal line with one arm lifted to the side and the other lifting gently front with the elbow bent. They wear dark-colored practice clothes.

How WINN Dance, a New Company for Performers Over 40, Is Changing the Conversation Around Aging

Emily May

Marianela Nuñez, in a bright red, full dress with tulle and ribbons, sits with one leg tucked in and one extended behind on the Royal Opera House stage. The two red curtains are partially drawn on either side of her, exposing the house behind her.

With “Marianela: Timeless,” the Royal Ballet Star Says Thank You

Zoe G. Phillips

Onstage, two shirtless dancers lift another dancer overhead. The lifted dancer, in a sheer white shirt over a nude leotard, arches back with her arms stretched out behind her, her legs bent gently with one lifted slightly higher.

The National Choreographers Initiative’s Last Dance

Kyra Laubacher

Hugo Marchand, surrounded by an ensemble of dancers, jumps with his legs split sideways and his arms stretched out to the sides. He tilts his head back and splays his fingers. He and the other dancers all wear black pants.

Paris Opéra Ballet Étoile Hugo Marchand Curates an Evening at New York City Center

Laura Cappelle

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