News

View All Onstage The Latest Videos

Onstage

Ukraine’s Kyiv City Ballet Prepares for Its First U.S. Tour

Catja Christensen

Mayu Tanigaito, performing as Cinderella, penchés gleefully in an one-sleeved yellow dress with blue and pink cheetah print tulle underneath, nude pointe shoes, and her long black hair down but pulled back partially. Her left arm extends behind her and reaches up on the diagonal of her working leg (left) line in penché, with her right bent at the elbow in front of her chest so she can hold her partner's hand. Laurynas Véjalis, as The Royal Messenger, holds her hand with his right, also bent at the elbow, with his right wrapped gently around her waist on the left side. He lunges casually, left leg turned in for support and right suggesting a tendu a la seconde, and he wears a modern white peasant blouse, brown dance boots, a gray tie, and brown suitpants with a brown waist jacket.. They look into each others' eyes happily, dancing a pas de deux onstage in front of a deep blue backdrop with light blue geographical sketches behind them.

Onstage in August: United Ukrainian Ballet’s New Giselle, International Festivals and More

Catja Christensen

In this black and white photo, Megan Jacobs sits on the ground with her right leg extended in front of her and her left leg tucked. She leans over her legs, touching her left hand to her right foot, and reaches her right arm back behind her. She wears a feathered headpiece, pointe shoes, a light-colored leotard and a swath of white tulle wrapped around her waist, which trails out onto the ground. Feathers rain down softly from the ceiling.

Onstage in July: Paris Opéra Ballet Tours to Los Angeles, Jacob’s Pillow Celebrates 90 Years, and More

Catja Christensen

Cemiyon Barber and Taylor Stanley pose barefoot in front of a white background. They wear matching costumes, Barber in yellow and orange and Stanley in blue and pink. Their hoop headbands and pleated skirts are identical other than the color. Their sashes with hoops cross from shoulder to hip in opposite directions, and Stanley's left ankle has a hoop anklet while Barber's is on his right. Their right hands are on their hips, slightly jutted out to the side. They incline their heads to the right looking at their outstretched winged left feet. Their left arms are held loosely to the side with fingers pointing down.

Christopher Williams’ Program of Reimagined Ballets Russes Originals Comes to The Joyce

Kyra Laubacher

Oct 15

Dare to Dance in Public Film Festival

Glorya Kaufman Performing Arts Center @ Vista del Mar

Dec 9

Boston Dance Theater Trainee Program Audition

The Brookline Ballet School

Apr 1

Step Afrika! Annual Company Artist Audition

Dance Loft

See more events

Mayu Tanigaito, performing as Cinderella, penchés gleefully in an one-sleeved yellow dress with blue and pink cheetah print tulle underneath, nude pointe shoes, and her long black hair down but pulled back partially. Her left arm extends behind her and reaches up on the diagonal of her working leg (left) line in penché, with her right bent at the elbow in front of her chest so she can hold her partner's hand. Laurynas Véjalis, as The Royal Messenger, holds her hand with his right, also bent at the elbow, with his right wrapped gently around her waist on the left side. He lunges casually, left leg turned in for support and right suggesting a tendu a la seconde, and he wears a modern white peasant blouse, brown dance boots, a gray tie, and brown suitpants with a brown waist jacket.. They look into each others' eyes happily, dancing a pas de deux onstage in front of a deep blue backdrop with light blue geographical sketches behind them.

Onstage in August: United Ukrainian Ballet’s New Giselle, International Festivals and More

Catja Christensen

In this black and white photo, Megan Jacobs sits on the ground with her right leg extended in front of her and her left leg tucked. She leans over her legs, touching her left hand to her right foot, and reaches her right arm back behind her. She wears a feathered headpiece, pointe shoes, a light-colored leotard and a swath of white tulle wrapped around her waist, which trails out onto the ground. Feathers rain down softly from the ceiling.

Onstage in July: Paris Opéra Ballet Tours to Los Angeles, Jacob’s Pillow Celebrates 90 Years, and More

Catja Christensen

Cemiyon Barber and Taylor Stanley pose barefoot in front of a white background. They wear matching costumes, Barber in yellow and orange and Stanley in blue and pink. Their hoop headbands and pleated skirts are identical other than the color. Their sashes with hoops cross from shoulder to hip in opposite directions, and Stanley's left ankle has a hoop anklet while Barber's is on his right. Their right hands are on their hips, slightly jutted out to the side. They incline their heads to the right looking at their outstretched winged left feet. Their left arms are held loosely to the side with fingers pointing down.

Christopher Williams’ Program of Reimagined Ballets Russes Originals Comes to The Joyce

Kyra Laubacher

A large group if dancers from Dance Theatre of Harlem stand close together onstage with their legs in a wide stance facing stage left. They lift their arms up above their heads and arch slightly back in reaction to the dancer coming towards them. A female dancer in a red dance dress performs as temps levé towards the group as two men lift her by the waist. The dancers wear multi-colored costumes and perform in front of a red backdrop.

The Kennedy Center’s Reframing the Narrative Program Centers and Celebrates Blackness in Ballet

Maggie Small

Subscribe To Our Newsletter

Join our mailing list to receive the latest news and updates from our team.

You have Successfully Subscribed!