Onstage

Onstage in front of a bright blue backdrop, Aina Oki does a piqué attitude derriere on pointe, her arms in a high third. She wears a bright gold pancake tutu.

Onstage

Tulsa Ballet to Debut at the Royal Opera House’s Linbury Theatre

Cynthia Bond Perry

Onstage, two dancers perform a pas de deux in white shirts and shorts. Styles Dykes lunges forward and reaches up and forward to support his partner, Alexandra Troianos, who does an attitude penché in front of him. Behind them is a large purple and brown backdrop made to look like compartments carved in wood.

Onstage

In Machinal: A Dance of Defiance, Ballet RI Questions Convention

Kyra Laubacher

In an Italian-style courtyard, two dancers perform a pas de deux. Zecheng Liang lifts Thays Golz overhead as she tucks one leg into retiré and extends the other back in arabesque. She arches up and back with her arms wide behind her. Both dancers wear white-colored costumes and look up.

Onstage

Juliano Nunes’ New Romeo and Juliet, for Philadelphia Ballet, Lets Emotion Lead

Hana Le

Cameron sinkʷə Fraser-Monroe, shown from the hips-up, twists his upper body with one arm crossed in front, bent at the elbow with his fingers reaching upward. He looks into the mirror (off-camera) with intensity. Ballet dancers behind him watch and mimic his movement.

Onstage

Choreographer Cameron sinkʷə Fraser-Monroe, of the Tla’amin First Nation, Takes Canada by Storm

Kathleen Smith

A close-up of Astrid Elbo, as Lady Macbeth, clutching her face with her arms crossed at the elbow. She throws her head back and looks at the camera with emotion, lips slightly parted. She wears a teal satin dress with long sleeves and wears her long hair down.

Onstage

Akram Khan Rewrites the Narrative for Lady Macbeth at Royal Danish Ballet

Courtney Escoyne

In a ballet studio, an ensemble of dancers pose with one leg in b-plus, toes flexed, with their upper bodies curved forward. They curve their arms up and back to match the line and tilt their heads to the side.

Onstage

More Pointe, More Women Choreographers in Ballet Hispánico’s Mujeres Program

Sophie Bress

In a ballet studio, Alonzo King and esperanza spalding converse in front of a large mirror with a laptop open behind. They both lift an arm as they speak, and spalding cradles a bass in the crook of one arm.

Onstage

For His Latest LINES Ballet Premiere, Alonzo King Collaborates With Grammy Winner esperanza spalding

Garth Grimball

A male dancer in shorts and a t-shirt flies high in the air, arms over his head, as a group of other dancers stand below him with arms linked, ready to catch him. A man at the end reaches his arms up towards the dancer in the air.

Onstage

Glen Tetley at 100: Celebrating the Choreographer Who Bridged Ballet and Modern Dance

Emily May

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