Editor's Letter: Start Thinking Ahead

Editor's Letter: Start Thinking Ahead

(Photo by Nathan Sayers) Injuries always come at the most inconvenient time. Our cover guy, Derek Dunn, was on the fast track towards a promotion when he faced a double whammy: two back-to-back foot injuries that kept him out of commission for six months. Being unable...
Editor's Letter: Be Your Own Best Advocate

Editor's Letter: Be Your Own Best Advocate

(Photo by Nathan Sayers) At our cover shoot, American Ballet Theatre soloist Cassandra Trenary was so easygoing that it was hard to believe she was just a few weeks away from her big debut as Princess Aurora in The Sleeping Beauty. It’s also hard to believe that...
Take a Chance

Take a Chance

(Photo by Nathan Sayers) A dancer’s road will never be easy. That’s why it’s helpful to look to someone like Mayara Pineiro, whose success is steeped in gutsiness and perseverance. Although the Pennsylvania Ballet soloist had received some of the...
It’s Time to Shine

It’s Time to Shine

(Photo by Nathan Sayers for Pointe magazine) What makes someone a standout? Onstage, it’s a dancer’s consummate artistry, as well as strong technique to back it up. But in the studio, other qualities come into play. Take our cover girl, Royal Ballet first...
Editor's Letter: The Next Step

Editor's Letter: The Next Step

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons,...
Editor's Letter: Fast Forward

Editor's Letter: Fast Forward

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons,...
Editor's Letter: Try Out the Fit

Editor's Letter: Try Out the Fit

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons,...

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