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Arthur Mitchell on "Agon": "My Skin Color Against Hers, It Became Part of the Choreography"

Arthur Mitchell on "Agon": "My Skin Color Against Hers, It Became Part of the Choreography"

by Amy Brandt | Oct 4, 2017 | Profiles

When American Ballet Theatre soloist Calvin Royal III and New York City Ballet soloist Unity Phelan burst into the opening diagonal of George Balanchine’s Agon on Monday, they had reason to be nervous. Sitting in the downstage corner of Columbia...
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