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Profiles

Skylar Campbell on Why He Avoids Labeling Roles as “Challenging”

Emma Love Suddarth

Ella Titus rehearsing George Balanchine’s The Nutcracker®. Choreography by George Balanchine. © George Balanchine Trust. Photo by Alexander Izilieav

Profiles

Miami City Ballet’s Ella Titus Shares Her Daily Routine

Linnea Swarting

April Watson, wearing a black, short tutu with a feathered skirt, does a 45 degree arabesque on pointe, lifting her left leg. She reaches her right arm straight up towards the ceiling and looks up towards her hand, curling her left arm in. She poses in front of a bright white backdrop.

Profiles

Quickfire Questions With January/February Digital Cover Star April Watson

Nadine Matthews

Dianetzy Rojas sits in a straddle on the floor of a studio with gray walls and marley, wearing a red leotard and red legwarmers. The contents of her dance bag are in front of her.

Profiles

Inside Dianetzy Rojas’ Dance Bag

Catie Robinson

During a performance of the Nutcracker, group of about a dozen children in 19th century costumes face front and dance close together, leaning their bodies to their right with their arms up. Some carry dolls and toys while others carry flags, while a boy in the front holds a red and white drum. They all smile brightly.

Profiles

Val Caniparoli, aka “Mr. Nutcracker,” on Creating 5 Different Productions of the Holiday Classic

Steve Sucato

Brooklyn Mack kneels center stage during a performance and extends his arms out towards the audience, smiling widely. He wears a white tunic with gold trim, white tights, and white ballet slippers, and poses in front of a backdrop showing a lake and purple sky.

Profiles

Brooklyn Mack is Back Onstage, Starting With The Washington Ballet

Amy Brandt

Labrador holds DeFelice in his arms. DeFelice's legs point up and his torso is to the side. Both wear Barre Trash hoodies.

Profiles

Meet the Dancing Duo Behind the Dancewear Brand “Barre Trash”

Catie Robinson

Jessica Lind wears a flowing white dress, ballet shoes, and white gloves as she dances onstage. She arabesques with her supporting leg in plié, arms in a high fifth with her fingers touching. Her blonde hair is down, and she wears white makeup on her face for a mime-ish or clownish effect.

Profiles

Oregon Ballet Theatre’s Jessica Lind on Being Your Own Cheerleader

Kyra Laubacher

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