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How Paris Opéra's Hugo Marchand Becomes Onegin (And Why the Role Inspired Him to Study Acting)

How Paris Opéra's Hugo Marchand Becomes Onegin (And Why the Role Inspired Him to Study Acting)

by Hugo Marchand As Told To Laura Cappelle | Jan 20, 2019 | Profiles, Technique

Onegin isn’t a regular ballet character: He’s neither good nor bad, but gray, in between. I started by reading Alexander Pushkin’s verse poem, and I found it difficult. It portrays an emotional state that is very Russian: This existential melancholy...
Watch as Diana Vishneva Prepares for Her Final Performance With American Ballet Theatre

Watch as Diana Vishneva Prepares for Her Final Performance With American Ballet Theatre

by Marissa DeSantis | Jun 22, 2017 | Profiles

Last fall, Diana Vishneva shocked her NYC following when she announced that she would give her final performance with American Ballet Theatre on June 23, 2017. The Russian-born dancer has been part of ABT since performing in Romeo and Juliet as a guest artist in 2003,...
Boston Ballet's Anaïs Chalendard on Tapping Into Her Own Heartbreak to Dance "Onegin's" Tatiana

Boston Ballet's Anaïs Chalendard on Tapping Into Her Own Heartbreak to Dance "Onegin's" Tatiana

by Amy Brandt | May 31, 2016 | Career, Profiles, Technique

This story originally appeared in the June/July 2016 issue of Pointe. Anaïs Chalendard as told to Amy Brandt Tatiana is not simply a young, hopeful country girl. She’s dark and complex—she’s an introvert. I was also misunderstood when I was younger. Like...
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