by Julia Rosica | Apr 11, 2018 | Profiles, TBT
https://youtube.com/watch?v=LSdHmbsUl_c The third act variation from Raymonda is deceptively simple–legato and heavy on bourrées and épaulement, it has few pirouettes or showy extensions. Instead, the piece calls for artistry and aristocratic command in order to...
by As Told To Amy Brandt | Mar 31, 2016 | Profiles, Technique
This story originally appeared in the April/May 2016 issue of Pointe. The Dying Swan, choreographed by Michel Fokine for Anna Pavlova, is a short but powerful solo often reserved for the most revered ballerinas. Mariinsky Ballet principal Uliana Lopatkina shares the...
