Onstage This Week: NBoC Brings "Nijinsky" to San Francisco, Kansas City Ballet's 60th Anniversary Festival, and More
What’s going on in ballet this week? We’ve pulled together some highlights.
National Ballet of Canada Brings John Neumeier’s
Nijinsky to San Francisco
NBoC is bringing their acclaimed production of John Neumeier’s Nijinsky to San Francisco’s War Memorial Opera House April 3-8 as part of San Francisco Ballet’s spring season. As part of a reciprocal agreement, SFB will tour to Toronto in an upcoming season. We’re jealous that Bay Area audiences have the chance to see this thrilling ballet, which delves into the life and work of the famous 20th century choreographer and dancer Vaslav Nijinsky. Catch a glimpse in the below video.
There are three exciting companies performing on NYC stages this week:
- April 4-7, Dance Theatre of Harlem heads to New York City Center for its 2018 hometown spring season. Highlights include the company’s New York premieres of Darrell Grand Moultrie’s Harlem on My Mind, Christopher Wheeldon’s This Bitter Earth and George Balanchine’s Valse-Fantaisie. The program will also feature the revival of Geoffrey Holder’s Dougla with guest artists from Collage Dance Collective. Want a sneak peek? Check out our Facebook LIVE video of DTH in rehearsal for Harlem on My Mind.
- The New Jersey-based American Repertory Ballet returns to the Kaye Playhouse at Hunter College April 6-7 in a program titled Generations: Influences From the Modern Age. This triple bill includes the company premieres of artistic director Douglas Martin’s Rite of Spring and Gerald Arpino’s Sea Shadow alongside modern dance pioneer José Limón’s There is a Time.
- Russian choreographer Boris Eifman brings his St. Petersburg-based company Eifman Ballet to Lincoln Center’s Koch Theater April 6-8 in his innovative production of Anna Karenina, to music by Tchaikovsky. Check out their fast-paced trailer here.
Pennsylvania Ballet’s Mixed Rep Program
April 5-8, PAB presents Grace & Grandeur, a mixed repertoire program including the second act of Marius Petipa’s Paquita, Christopher Wheeldon’s For Four and George Balanchine’s Theme and Variations. We love this video compilation that the company posted on Instagram of Sterling Baca, Jack Thomas and Ze Cheng Liang slaying Theme and Variations‘ infamous double tour/pirouette series.
Alabama Ballet Presents the Company Premiere of La Fille Mal Gardée
Alabama Ballet presents the light-hearted, family friendly La Fille Mal Gardée (The Wayward Daughter) at the BJCC Theatre in Birmingham April 6-8. This ballet, with its bright costumes, maypole scene and dancing chickens (see below) seems like the perfect way to beckon in springtime.
Ballet’s Chock-Full 60th Anniversary Season
KCB will continue its season-long 60th Anniversary Dance Festival over the next two weekends with two world premieres and six company premieres. April 6-8, KCB will dance George Balanchine’s Diamonds, Jiří Kylián’s Petite Mort and the world premiere of Matthew Neenan’s The Uneven. April 13-15 the company will present James Kudelka’s The Man in Black, Stanton Welch’s Play and the world premiere of Andrea Schermoly’s Klein Perspectives. Check out Neenan’s new work below.
Miami City Ballet’s Alexei Ratmansky Company Premiere
MCB presents a mixed rep program in three Florida cities over three weekends this month (April 6-8 in West Palm Beach, April 13-15 in Miami and April 28-29 in Fort Lauderdale). The lineup includes George Balanchine’s Apollo and La Valse alongside the company premiere of Alexei Ratmansky’s Concerto DSCH. No matter how many times we’ve seen Apollo, we can never get enough of this classic shot.
Ballet Memphis Brings Back Their Magical
April 7-8, Ballet Memphis brings back associate artistic director Steven McMahon’s Peter Pan. The story of Peter Pan is special to the young choreographer; it was the first ballet he ever saw on stage as a 10-year-old in Scotland, sparking the dream of a dance career. The production includes such extensive flying effects that when the company recently moved to new studios, they built one with 45 foot ceilings so that they could rehearse the ballet in-house. Longtime company member Julie Marie Niekrasz will dance Wendy in her last mainstage role before retiring from the company, making this run extra special.