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In a large dance studio, two dancers rehearse. One dancer leans back, arms propping up his upper body, with one leg extended front and the other tucked under. The other dancer does a deep lunge with one leg in front as he reaches forward with one arm, hand splayed right in front of his partner's chest. They look into each other's eyes intensely. In the background, a group of dancers crouch with their hands on the ground and watch the duo.

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Jennifer Archibald’s Maslow’s Peak, for BalletX, Considers Civilization and Savagery

Courtney Escoyne

A female dancer in class performing an attitude derriere en pointe.

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Inside “Étoile,” Amy Sherman-Palladino and Daniel Palladino’s New Ballet TV Series

Chava Lansky For Dance Magazine

Daniel Ulbricht, wearing practice clothes, demonstrates a small jump for a class of young dance students.

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Pointe Live Classes & Conversations Is Heading to Chicago on August 2

Pointe Magazine

Two photos side-by-side. On the left, in black and white, a dancer stands in heels with one leg propped in front, twisting her upper body as she sweeps a large feather fan up to the side. On the right, a dancer lunges and sweeps her right leg into an arabesque penché as she holds another dancer's hand for balance. Other dancers form a half circle around her in tendu derriere.

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Two New Carmens at Charlotte Ballet and Miami City Ballet

Catie Robinson

Khrystyna Shyshpor dances "The Dying Swan" among the ruins of a former children's hospital in Ukraine. She wears a white tutu with feather details and sits with one knee bent in and her other leg extended behind, arching up with her arms pressing down behind her like wings.

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The Sky Was on Fire: A New Documentary on Ballet’s Fight for Ukraine

Kyra Laubacher

Megan Fairchild and Anthony Huxley dance a pas de deux onstage in peasant-like costumes. Huxley holds Fairchild in a low arabesque as she holds a piece of wheat.

News

Your April Roster Roundup: Dancers and Directors on the Move

Kyra Laubacher

Surrounded by a large group of dancers, Robert Garland sits on a chair and smiles. Around him, the dancers pose in lifts, kneels, tendus, and more.

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Catching Up With Robert Garland on Directing Dance Theatre of Harlem

Nadine Matthews

Joy Womack is shown from the chest up, bathed in a blue light, as she adjusts her bun backstage. She wears a sequined headpiece over her left ear and a dark, lacy costume.

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Joy Womack’s New Book, Behind the Red Velvet Curtain, Examines Life at the Bolshoi and Beyond

Zoe G. Phillips

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