The Latest

A black-and-white archival image of Arthur Mitchell posing in front of a neutral backdrop, his arms extended to either side with palms flexed up. He leans back with his hips forward, both feet on demi pointe as he crosses his left leg over his right.

The Latest

Dance Historian Lynn Garafola Talks About Her New Arthur Mitchell Biography

Nadine Matthews

Two photos separated horizontally by a pink line. On the left, Herman Cornejo wears a white and gold Spanish-style costume as he leans back in a deep sideways lunge, his front foot in forced arch. He lifts his top arm high with a proud curve and rests his other hand on his hip as he looks down toward his back leg. Corps members sit and watch behind. On the right, James Whiteside partners Gillian Murphy, who poses in attitude derriere on pointe with swan-like arms and a dramatic arch in her back. Whiteside bends back too and points his left leg in tendu a la seconde. Murphy wears a white swan-like tutu; Whiteside wears a Renaissance-style costume with white tights and a green jacket with puffy sleeves.

The Latest

Your October 2026 Roster Roundup: Dancers and Directors on the Move

Amelia Bickel and Kyra Laubacher

Logan Savard is shown against a red background with a spotlight haloing his upper body and head. He is wearing a suit: his jacket and pants are black, his dress shirt is white, and his tie has diagonal black-and-red stripes. Savard is looking upward with his arms thrown in the air above his head, palms facing out. He is surrounded by a flurry of blank pieces of paper.

The Latest

Houston Thomas’ New Firebird Goes Corporate

Kyra Laubacher

A pile of pointe shoes.

The Latest

Can Pointe Shoes Leave a Smaller Carbon Footprint?

Rebecca Corey for Dance Retailer News

The Latest

Xander Parish to Lead New Company Inspired by Ballets Russes

Amy Brandt

Dancers Jarryd Madden and Adam Elmes sit on the stage floor during a performance, facing each other and touching foreheads.

The Latest

David Hallberg Brings The Australian Ballet—and His Bold Vision—to the U.S.

Amy Brandt

In a large dance studio with huge windows, Xavier Núñez flows through movement during a rehearsal. He wears a dark t-shirt and gray workout pants. Four young female dancers stand in the corner of the room, watching him as he demonstrates.

The Latest

New PBS Documentary Goes Inside Joffrey Ballet’s Winning Works Competition

Amelia Bickel

A group of eight male dancers are shown mid-lift onstage. One dancer is midair above the heads of the others, facing the audience with his legs straight and arms in a V above is head, while the rest of the dancers prepare to catch him. All wear medium grey tights and a grey two-toned top that is long-sleeved on one arm and sleeveless on the other.

The Latest

New York City Center’s 2026 Fall for Dance Festival Features Ballet, World Premieres, and More

Amelia Bickel