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A class of young ballet students pose in fifth position with their arms in high fifth. They wear various leotards, tights, and ballet slippers and dance in a large studio with floor-to-ceiling windows.

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Pointe Live Classes & Conversations Returns to Chicago on July 25, 2026

Pointe Magazine

Onstage, two shirtless dancers lift another dancer overhead. The lifted dancer, in a sheer white shirt over a nude leotard, arches back with her arms stretched out behind her, her legs bent gently with one lifted slightly higher.

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The National Choreographers Initiative’s Last Dance

Kyra Laubacher

Hugo Marchand, surrounded by an ensemble of dancers, jumps with his legs split sideways and his arms stretched out to the sides. He tilts his head back and splays his fingers. He and the other dancers all wear black pants.

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Paris Opéra Ballet Étoile Hugo Marchand Curates an Evening at New York City Center

Laura Cappelle

Twelve dancers from the Paris Opéra Junior Ballet create a tableau onstage with various poses. One dancer is lifted up on her back, her top leg pointing upward. Other dancers lunge forward, tendu, balance in sous-sus, and pose in arabesque. They all wear shiny, full, deep-red skirts and either nothing or a nude-colored leotard on top.

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The Paris Opéra Junior Ballet Makes Its American Debut

Lucy Spencer Mason

Olivia Rodrigo, a young woman wearing a large, blue, long-sleeved shirt, whort white skirt, and black knee-length boots, poses with her arms crossed with eight ballerinas. The dancers are all costumed in pink tutus. They pose outside on a New York City sidewalk.

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What’s Powering the Recent Ballet and Pop Music Crossover?

Sarah McKenna Barry

Two women and a man sit in black chairs against the wall of a large dance studio in front of a group of dancer students who wear rehearsal clothing. The woman in the middle holds a microphone and addresses the dancers.

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Inside Pointe Live Classes & Conversations: Philadelphia Edition

Pointe Magazine

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Cassandra Trenary Reflects on Her First Year at Vienna State Ballet and Returns to a Transformative Solo

Marina Harss For Dance Magazine

Lit overhead by a single spotlight against a pitch black background, a circle of ballet dancers dressed as swans surround one principal, dressed as Odette. The corps dancers lean slightly inward with arms overhead, fingertips brushing in, with their backs facing out. In the middle, Odette turns her face and crosses her arms so her fingertips brush her neck on either side.

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State Ballet of Georgia Returns to London With a New Swan Lake

Kyra Laubacher

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