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Your November 2026 Roster Roundup: Dancers and Directors on the Move

Amelia Bickel and Kyra Laubacher

Melvin Lawovi stands at the front of a ballet studio speaking animatedly to dancers visible in the background.

ABT’s Melvin Lawovi Is Entering His Choreographer Era

Rebecca Corey

On October 29, World Ballet Day 2026 Celebrates the Art of Storytelling

Amelia Bickel

In front of a large red and white flag with three stars, ballet dancers pose with musicians for a tableau formation. Two dancers in the back jump and arch back, legs bent and arms long. Two others stand on pointe in arabesque, their hands on the shoulders of a guitarist who stands in the center holding his guitar. Two more dancers on the sides lunge deeply with one hand on the floor and their other arms extended upward. A keyboardist and drummer pose with their instruments behind them.

Edwaard Liang Shares His Vision for The Washington Ballet as the Company Celebrates Its 50th Season

Rebecca Corey

Legendary Ballerina Natalia Makarova Returns to ABT to Restage Paquita

Claudia Bauer and Amy Brandt

Samantha Sherry is shown midair, in a side leap, against a black, spooky background. Her legs form a straight line. She wears a long black sleeveless dress and skin-tone ballet shoes. She throws her arms down in front of her, parallel with each other and in line with her torso, which she tilts toward the photo's left. Her curly hair is loose and she looks directly into the camera.

Spooky Stories and Creepy Creatures in October Ballet Premieres

Amelia Bickel

Dorothée Gilbert sits in a chair upstage during a performance of the ballet Manon. She is costumed in an elegant and light-colored ruffled dress and clasps her hands to her chest. She is bathed in cool lighting, and in the background, others in costume sit on the floor.

Paris Opéra Ballet Étoile Dorothée Gilbert Prepares to Say Goodbye

Laura Cappelle

Patrica Delgado, wearing a hot pink half-sleeve leotard with black pants, leads Miami City Ballet dancers in rehearsal. She is shown in the center of the frame, with over ten dancers shown behind her in rows, all wearing colorful layers of dance clothes with pointe or ballet shoes. They all stand facing the left side of the photo, their arms stretched out in front of them, crossed at the forearm with hands loosely clasped together. The dancers look upward or toward their hands; Delgado, smiling, looks from the corner of her eye toward the front.

Patricia Delgado Returns to Miami City Ballet—as a Choreographer

Rebecca Corey

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