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A collage of two photos. The one on the left shows a black and white image of two dancers taking a bow alongside two men in suits. The one on the right shows a group of dance students pose in a studio wearing multicolored dance-wear.

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The Royal Academy of Dance and the Frederick Ashton Foundation Partner Up for 2026 Margot Fonteyn International Ballet Competition

Reanne Rodrigues for Dance Teacher

In an Italian-style courtyard, two dancers perform a pas de deux. Zecheng Liang lifts Thays Golz overhead as she tucks one leg into retiré and extends the other back in arabesque. She arches up and back with her arms wide behind her. Both dancers wear white-colored costumes and look up.

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Juliano Nunes’ New Romeo and Juliet, for Philadelphia Ballet, Lets Emotion Lead

Hana Le

A large group of people in street clothes and nametags pose on a long curved staircase, all smiling at the camera.

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A Meeting of the Choreographic Minds at the First “Creators in Dance Summit” in New York City

Stav Ziv for Dance Magazine

Cameron sinkʷə Fraser-Monroe, shown from the hips-up, twists his upper body with one arm crossed in front, bent at the elbow with his fingers reaching upward. He looks into the mirror (off-camera) with intensity. Ballet dancers behind him watch and mimic his movement.

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Choreographer Cameron sinkʷə Fraser-Monroe, of the Tla’amin First Nation, Takes Canada by Storm

Kathleen Smith

A close-up of Astrid Elbo, as Lady Macbeth, clutching her face with her arms crossed at the elbow. She throws her head back and looks at the camera with emotion, lips slightly parted. She wears a teal satin dress with long sleeves and wears her long hair down.

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Akram Khan Rewrites the Narrative for Lady Macbeth at Royal Danish Ballet

Courtney Escoyne

In a ballet studio, an ensemble of dancers pose with one leg in b-plus, toes flexed, with their upper bodies curved forward. They curve their arms up and back to match the line and tilt their heads to the side.

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More Pointe, More Women Choreographers in Ballet Hispánico’s Mujeres Program

Sophie Bress

David Wright stands directly behind Ingrid Silva as they lunge forward on their right leg toward stage left, holding left hands. They both wear purple leotards and perform onstage in front of a black backdrop.

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Ingrid Silva Says Goodbye to Dance Theatre of Harlem, but the Curtain Isn’t Closing Yet

Rebecca Corey

Ben Stevenson, wearing black pants and a black jacket over a white shirt and striped tie, talks to a ballerina in a pink tutu backstage. Other dancers in costume mill about in the background.

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Remembering Ben Stevenson, 1936–2026

Jenny Block

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