by Amy Brandt | Dec 3, 2017 | Career, News, Profiles, Trending
Last fall, the Kennedy Center for the Performing Arts announced that its resident company, The Suzanne Farrell Ballet, would disband following its final performances December 7–9. A wholly unique endeavor, TSFB—of which I was a member for 10...
by Laura Cappelle | Nov 27, 2017 | Profiles
This is Pointe’s December 2017/January 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue. Few ballets are as unforgiving for a young dancer as Swan Lake. Both Odette’s heartbreak and Odile’s deceit of...
by Chava Pearl Lansky | Nov 26, 2017 | News, Profiles
American Ballet Theatre principal Marcelo Gomes heads south this winter to create a piece on Sarasota Ballet to premiere December 1 at the Sarasota Opera House. Following the success of his 2015 ABT main-stage production AfterEffect, the burgeoning choreographer is...
by Candice Thompson | Nov 19, 2017 | Career, Profiles, Technique
“I was particularly excited when I saw my name on casting for Allegro Brillante in 2009,” remembers principal dancer Tiler Peck. “Balanchine had said Allegro was, ‘everything I know about classical ballet in 13 minutes,’ and of course...
by Sterling Hyltin As Told To Gavin Larsen | Oct 29, 2017 | Career, Profiles, Technique
I just can’t help feeling joy when I dance the Waltz Girl. Afterwards, I feel so at peace and nourished as a ballerina. I love to scuba dive, and Serenade reminds me of a reef, with schools of fish in all these different groupings, and singular entities darting...
by Chava Pearl Lansky | Oct 5, 2017 | Career, Profiles
New York City Ballet principal dancer Rebecca Krohn will take her final bow with the company this Saturday night. Krohn joined NYCB as an apprentice in the fall of 1998 and slowly rose through the ranks, becoming a principal in 2012. Though Krohn is best known for her...
by Amy Brandt | Oct 4, 2017 | Profiles
When American Ballet Theatre soloist Calvin Royal III and New York City Ballet soloist Unity Phelan burst into the opening diagonal of George Balanchine’s Agon on Monday, they had reason to be nervous. Sitting in the downstage corner of Columbia...
by Chava Pearl Lansky | Sep 10, 2017 | Uncategorized
New York City Ballet announced today that principal dancer Robert Fairchild will give his final performances with the company this October. Since his 2015 leave of absence to make his Broadway debut as Jerry Mulligan in Christopher Wheeldon’s An American in...