Career

Alejandro Cerrudo, wearing a black T-shirt, is shown from the waist up, standing onstage and holding a notepad and pen. He looks towards someone off-camera. In the foreground are two women slightly out of focus.

Company Life

Alejandro Cerrudo, Charlotte Ballet’s New Artistic Director, Talks About His Vision for the Company

Steve Sucato

Profiles

Inside Asuka Sasaki’s Dance Bag

Lydia Murray

Fumi Kaneko sits on the floor on a white backdrop and crosses her right leg over her left knee, pointing her foot and curling her arms around her right knee. Her hair is long around her shoulders and she wears a dark floral leotard and long, voluminous and gauzy pink skirt. She smiles confidently with a closed mouth and looks directly at the camera.

Digital Cover Star

All In: For Royal Ballet Principal Fumi Kaneko, Passion and Fortitude Have Helped Her Reach the Top

Lyndsey Winship

News

After 44 Years, Diana Byer Steps Down from New York Theatre Ballet

Julia Guiheen

In a dressing room crowded with costumes, Yasmine Naghdi stands with her hands clasped at her chest while Jenna Anderson kneels behind her and pins together the black tutu Naghdi is wearing. Naghdi wears a pink leotard and pink tights under her tutu, while Anderson wears a long-sleeved blue T-shirt and a measuring tape slung around her neck.

Career

A Budding Designer’s Dream Come True: Creating a Custom Tutu for Yasmine Naghdi

Emily May

Company Life

Letting Their Hair Down: 4 Dancers on the Waltz Girl’s Signature Moment in “Serenade”

Leigh Witchel

Sarah Van Pattan stands in parallel on pointe and leans to her right as Luke Ingham stands behind her and pulls her arms up. They both wear green costumes with a brown vertical pattern.

Profiles

Sarah Van Patten Reflects on Her Career as She Retires From San Francisco Ballet

Claudia Bauer

Matthew Ball and Yasmine Nagdhi dance a romantic pas de deux onstage during a performance of Romeo and Juliet. Ball, wearing a black eye mask, blue jacket, gray tights and slippers, leans back on his right leg in plié and holds Nagdhi close, holding her left hand with his right. Nagdhi, her left leg in a low arabesque, leans in and rests her head on Ball's left shoulder. She wears a gold-toned, calf-length brocade dress, pink tights and pointe shoes.

Profiles

Dancing Romeo: How Royal Ballet Principal Matthew Ball Approaches This Iconic Role

Matthew Ball as told to Avichai Scher

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