News

Chun Wai Chan, portraying the late Sin-Tzu Weng in a dance film, sits with bent legs as he adjusts the dial on a radio. He wears white and tan plain clothing.

News

Chun Wai Chan Talks About His Role in The New Short Film Never Fade Away

April Deocariza

A group of ballet dancers in different rehearsal attire stand together in a line and laugh, clapping and looking around. Katlyn Addison wears a sundress and stands to the far left, smiling as she leads rehearsal.

News

Katlyn Addison’s New Work for Ballet Jörgen Is Inspired by Hercules

Sophie Bress

In front of a blank white background, two female dancers dressed as fairies and one male dancer pose for a photo. The fairies, wearing blue and green dresses with blue wings, pose in tendu efface derriere, mirroring each other. The male dancer wears a brown vest and tan tights, leaping in a stylized Italian pas de chat.

News

Diablo Ballet Gets Mischievous With Its World Premiere A Midsummer Night’s Dream

Kyra Laubacher

News

Noelani Pantastico on Becoming CPYB’s Newest Artistic Director

Kyra Laubacher for Dance Teacher

Onstage, an ensemble of dancers dressed in green and blue Puritanical costumes dance in a fervor of emotion. In the front, two women clutch their fists as their hair whips upward. Behind them, three men lift up a women, who bends her leg and reaches in front of her in a cry for help. Behind them, other dancers watch with their arms plastered on a long table.

News

Scottish Ballet Tours Helen Pickett’s The Crucible to the U.S., Bringing Miller’s Tale to Its Home Soil

Kyra Laubacher

Sasha Vincett and her young daughter wrap their arms around each other's waist and smile for a picture. They wear Victorian-era dresses in shades of gold and light brown, with their hair pulled back and in ringlets. Behind them, a photo shoot is happening with other dancers in costume.

Profiles

How Ballet Arizona’s Sasha Vincett Balances Her Career With Being a Single Mom

Amy Brandt

News

Nicole Cuffy Couldn’t Find the Type of Ballet-World Story She Wanted to Read—So She Wrote It

Sophie Bress

Paul Vasterling, wearing a black polo shirt and black-frame glasses, sits on the floor of a dance studio and looks up towards someone, smiling. Behind him another dancer sits facing the mirror, while an woman on the artistic staff sits crossed-legged in a chair, her back to the mirror, and looks at the laptop in her lap.

News

Paul Vasterling Reflects on His More Than Three-Decade Career at Nashville Ballet

Steve Sucato