by Natalia Boesch | Jul 10, 2018 | Career, Profiles, Reverence
How was training at the Cuban National Ballet School different from what you see in the U.S.? It was free education, so it was very hard to get in, and there was a cut every year. We had academics alongside art, and we had to take a lot of different things: modern,...
by Anna Maples | Jun 24, 2018 | News
Wonder what’s going on in ballet this week? We’ve pulled together some highlights. The Joyce Ballet Festival Is Back New York City’s Joyce Theater kicks off its five-company Ballet Festival June 26-July 7. Showcasing a variety of styles including...
by Joseph Carman | Jun 10, 2018 | Career, Dance History
Two hundred is the new 30. Or at least it seems so for Marius Petipa, whose ballets are as active as ever as we celebrate his 200th birthday this year. Nearly all major ballet companies dance Petipa’s iconic ballets, which reflect his prolific creative output....
by Chava Pearl Lansky | Jun 3, 2018 | News
Wonder what’s going on in ballet this week? We’ve pulled together some highlights. ABT’s New Harlequinade is Finally Here The long wait for Alexei Ratmansky’s Harlequinade for American Ballet Theatre is finally over. June 4-9, catch ABT at the...
by Chava Pearl Lansky | May 28, 2018 | News
Wonder what’s going on in ballet this week? We’ve pulled together some highlights. Ballet Nacional de Cuba Continues U.S. Tour at the Kennedy Center A few weeks ago we shared that the historic Ballet Nacional de Cuba is back in the U.S. after 40 years. The...
by Candice Thompson | Nov 12, 2017 | Career, Profiles, Technique
When Jurgita Dronina first danced Kitri for a guest performance of Don Quixote with Teatro Filarmonico-Fondazione Arena Di Verona, she was in essence cast against type. “Before Kitri, I was dancing only lyrical or dramatic roles, so I had to start from scratch...
by Amy Brandt | May 17, 2017 | Profiles, TBT
The ’90s were an exciting time at Houston Ballet. Lauren Anderson, who became Houston’s first African–American principal dancer in 1990, reigned as its queen of virtuosic technique; a few years later, a young Cuban wonder named Carlos Acosta joined the...
by Hannah Chang Foster | Oct 26, 2016 | Company Life
Kitri’s Act I variation in Don Quixote is short—but not exactly sweet. Though this clip from a 90s documentary lacks the ballet’s usual setting of matadors milling around a Spanish plaza, former American Ballet Theatre principal Susan Jaffe doesn’t...