by Amy Brandt | Dec 2, 2022 | Career, Onstage, Pointe+, The Latest
On Sunday, December 4, New York City Ballet principal Sterling Hyltin will take her final bow after nearly 20 years with the company, dancing as the Sugarplum Fairy in George Balanchine’s The Nutcracker. Originally from Amarillo, Texas, Hyltin joined NYCB’s corps de...
by Chava Pearl Lansky | Feb 7, 2019 | Profiles, Trending, Viral Videos
On Monday evening, four 20th century New York City Ballet stars joined Wendy Whelan in conversation for an event titled Balanchine’s Ballerinas hosted by National Dance Institute, the dance education organization that former NYCB dancer Jacques d’Amboise...
by Chava Pearl Lansky | Dec 29, 2018 | Profiles
New York City Ballet’s Robbins 100 Festival last spring included 19 Jerome Robbins ballets performed over the course of two and a half weeks, requiring extreme stamina and versatility from the company’s dancers. No one rose higher to the occasion than...
by Hannah Foster | Feb 13, 2018 | Career, News, Profiles
A company’s corps de ballet is rarely the pool from which title roles are plucked. Yet New York City Ballet seems to buck convention, especially for its full-length production of Peter Martins’ Romeo + Juliet. When it debuted back in 2007, the ballet...
by Sterling Hyltin As Told To Gavin Larsen | Oct 29, 2017 | Career, Profiles, Technique
I just can’t help feeling joy when I dance the Waltz Girl. Afterwards, I feel so at peace and nourished as a ballerina. I love to scuba dive, and Serenade reminds me of a reef, with schools of fish in all these different groupings, and singular entities darting...
by Chava Pearl Lansky | Sep 10, 2017 | Uncategorized
New York City Ballet announced today that principal dancer Robert Fairchild will give his final performances with the company this October. Since his 2015 leave of absence to make his Broadway debut as Jerry Mulligan in Christopher Wheeldon’s An American in...
by Suzannah Friscia | Feb 16, 2017 | Company Life
When New York City Ballet went on a three-week tour to Paris last summer, we wished we could tag along. The company presented 20 ballets at the historic Théâtre du Châtelet, including 14 by Balanchine. Thanks to PBS and their Great Performances...
by Margaret Fuhrer | May 31, 2014 | Company Life
Aurora’s Act I solo in The Sleeping Beauty captures the young princess’ girlish exuberance. But from a technical standpoint, its four long minutes almost feel like multiple variations. New York City Ballet principal Sterling Hyltin discusses how to master...